Starred review from December 20, 2010
Boyle (The Women) spins a grand environmental and family drama revolving around the Channel Islands off Santa
Barbara in his fiery latest. Alma Boyd Takesue is an unassuming National Park Service biologist and the public face of a project to eradicate invasive species, such as rats and pigs, from the islands. Antagonizing her is Dave LaJoy, a short-tempered local business owner and founder of an organization called For the Protection of Animals. What begins as the disruption of public meetings and protests outside Alma's office escalates as Dave realizes he must take matters into his own hands to stop what he considers to be an unconscionable slaughter. Dave and Alma are at the center of a web of characters—among them Alma's grandmother, who lost her husband and nearly drowned herself in the channel, and Dave's girlfriend's mother, who lived on a sheep ranch on one of the islands—who provide a perspective that man's history on the islands is a flash compared to nature's evolution there. Boyle's animating conflict is tense and nuanced, and his sleek prose yields a tale that is complex, thought-provoking, and darkly funny—everything we have come to expect from him.
Starred review from December 15, 2010
A provocative premise delivers considerable literary dividends.
In one of his richest and most engaging novels, Boyle (The Women, 2009, etc.) characteristically combines a dark sense of humor and a subversive streak as he illuminates the dark underbelly of all-American idealism. The focus is California environmentalism, the idealization of the natural world, which is more often dangerous, even deadly, than idyllic. The novel puts two characters on a collision course, with each discovering in the process the complexities and ambiguities of their polarized opposite positions. Dr. Alma Boyd Takesue, a native Californian of mixed American and Japanese descent, spearheads a program for the National Park Service aimed at eliminating various species that have been imported to the Channel Islands, near Santa Barbara, to preserve the ecosystem and allow indigenous species to survive. Her antagonist is Dave LaJoy, head of the PETA-like FPA (For the Protection of Animals), who is both a dreadlocked hipster and a successful businessman. He is also a dislikable loudmouth—ravaging restaurant personnel, throwing his weight around, bullying Alma, whom he once dated. But he has a point: "He believes in something, the simplest clearest primary moral principle: thou shalt not kill." And his activism has spurred plenty of press coverage that demonizes the National Park Service's initiative, accusing Alma of trying to "manipulate nature and make a theme park out of the islands." Nature being nature, it refuses to obey the dictates of either Alma or Dave, as their battles escalate over rats, feral pigs and rattlesnakes, and the plot naturally comes to encompass human death (and birth) as well. A richly detailed back story provides additional context, as Boyle nimbly plays chronological hopscotch, showing how both these islands and these people came to be how they are. The novel never reduces its narrative to polemics—there are no heroes here—while underscoring the difficult decisions that those who consider themselves on the side of the angels must face.
Narrative propulsion is laced with delicious irony in this winning novel.
(COPYRIGHT (2010) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)
January 1, 2011
Boyle is no stranger to environmental fiction. His 2000 novel, A Friend of the Earth, chronicles the exploits of Tyrone O'Shaughnessy Tierwater, an ecological martyr. Here, Boyle delves deep into environmental philosophy by creating two characters passionate about saving animals but in diametrically opposed ways. The tension is centered on the population of rats on the Channel Islands off the coast of California. Alma, a biologist, is attempting to exterminate the rats to prevent further damage to the fragile ecosystem on the island. Dave, an animal rights activist, is equally passionate about all the inhabitants of the island, including the rats. Boyle's characters are challenging, to say the least, for they are complicated and often inconsistent. While the desire to preserve and protect nature does not defuse many of the conflicts between the two, their ethical similarities invite the reader to question where these two ideologies ultimately clash. Boyle uses the conflicts between his characters to explore the changing philosophy of human and animal relationships. VERDICT Whether we regard this work as environmental fiction or a philosophical treatise on land ethics, Boyle has delivered yet another quandary to ponder. [See Prepub Alert, LJ 9/15/10.]--Joshua Finnell, Denison Univ. Lib., Granville, OH
Copyright 2011 Library Journal, LLC Used with permission.
Starred review from December 1, 2010
Boyles great subject is humankinds blundering relationship with the rest of the living world. In his thirteenth novel, he transports us to Californias Galapagos, the surprisingly wild Northern Channel Islands off the coast of Santa Barbara. There a stormy, cliff-hanging tale of foolhardy and treacherous journeys unfolds, anchored to the tough women in two indomitable matriarchal lines. A 1946 pleasure cruise gone wrong shipwrecks Beverly on the island of Anacapa. Decades later, her ambitious biologist granddaughter, Alma, oversees the National Park Services hubristic efforts to rid Anacapa, and neighboring Santa Cruz Island, of invasive animal species in organized killing sprees. Dreadlocked businessman Dave LaJoy, a man of rage and aberrance, along with his lover, Anise, the last child raised on Santa Cruz, where her mother worked on a doomed sheep ranch, incites reckless protests with chain-reaction consequences. Incisive and caustically witty, Boyle is fluent in evolutionary biology and island biogeography, cognizant of the shared emotions of all sentient beings, in awe over natures crushing power, and, by turns, bemused and appalled by human perversity. Boyle brings all these powers and concerns to bear as he creates magnetic characters and high suspense, culminating in a piercing vision of our needy, confused, and destructive species thrashing about in the great web of life. HIGH-DEMAND BACKSTORY: Famous for his avidly attended public appearances, Boyle has seen his readership multiply following the huge success of The Women (2009).(Reprinted with permission of Booklist, copyright 2010, American Library Association.)
Starred review from December 15, 2010
A provocative premise delivers considerable literary dividends.
In one of his richest and most engaging novels, Boyle (The Women, 2009, etc.) characteristically combines a dark sense of humor and a subversive streak as he illuminates the dark underbelly of all-American idealism. The focus is California environmentalism, the idealization of the natural world, which is more often dangerous, even deadly, than idyllic. The novel puts two characters on a collision course, with each discovering in the process the complexities and ambiguities of their polarized opposite positions. Dr. Alma Boyd Takesue, a native Californian of mixed American and Japanese descent, spearheads a program for the National Park Service aimed at eliminating various species that have been imported to the Channel Islands, near Santa Barbara, to preserve the ecosystem and allow indigenous species to survive. Her antagonist is Dave LaJoy, head of the PETA-like FPA (For the Protection of Animals), who is both a dreadlocked hipster and a successful businessman. He is also a dislikable loudmouth--ravaging restaurant personnel, throwing his weight around, bullying Alma, whom he once dated. But he has a point: "He believes in something, the simplest clearest primary moral principle: thou shalt not kill." And his activism has spurred plenty of press coverage that demonizes the National Park Service's initiative, accusing Alma of trying to "manipulate nature and make a theme park out of the islands." Nature being nature, it refuses to obey the dictates of either Alma or Dave, as their battles escalate over rats, feral pigs and rattlesnakes, and the plot naturally comes to encompass human death (and birth) as well. A richly detailed back story provides additional context, as Boyle nimbly plays chronological hopscotch, showing how both these islands and these people came to be how they are. The novel never reduces its narrative to polemics--there are no heroes here--while underscoring the difficult decisions that those who consider themselves on the side of the angels must face.
Narrative propulsion is laced with delicious irony in this winning novel.
(COPYRIGHT (2010) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)