Starred review from July 15, 2013
King (Ask the Passengers) drafts a nuanced portrayal of a boy saddled with the nickname the Crapper because of his infamous behavior at age five on a reality show, Network Nanny. Now almost 17, Gerald Faust is ostracized by his peers, barely keeping his violent urges at bay, and grateful for his spot in special ed because, he says, “I need to not be on my guard all the time.... I need a place where I don’t need war paint to survive.” Although the Network Nanny episodes about Gerald’s family framed him as the problem child among his siblings, the truth was more disturbing, as King shows in flashbacks that are as uncomfortable to read as reality TV can be to watch, and equally impossible to turn away from. But this is a story about healing, and although Gerald stumbles as he takes his first steps—he frequently retreats to the fantasy world he calls Gersday and struggles to trust the girl he allows to get close—his candor invites sympathy from the first page. Ages 15–up. Agent: Michael Bourret, Dystel & Goderich Literary Management.
Starred review from October 1, 2013
Gr 9 Up-When 16-year-old Gerald was 5, his parents made a contract to appear on a reality television show where a stage nanny offered techniques to mend their beyond-repair family. Gerald was targeted as the problem child when it was actually his psychopathic sister, Tasha, who was the true menace. His parents turned a blind eye, repeatedly allowing their firstborn to torment and threaten the lives of Gerald, sister Lisi, and even the mother while the edited television broadcasts skewed the truth. At first, readers will be taken aback when they learn that little on-camera Gerald defecated on Tasha's and his mother's belongings, earning him the infamous nickname "Crapper," but they will soon realize that in his young mind it was his only weapon of defense in a desperate situation. The horror and injustice of it all follow insecure, agry Gerald into his teens. So does fearsome, unemployed Tasha when she moves into the family's basement with her boyfriend, has loud and regular sex, and is still enabled by their parents. When Gerald warily falls in love with Hannah, a schoolmate and coworker with family troubles of her own, "kidnapping" themselves by running away together seems their only recourse to wake up their parents. King's trademarks-attuned first-person narrative, convincing dialogue, realistic language, and fitting quirkiness-connect effectively in this disturbing, yet hopeful novel. Not since Norma Fox Mazer's disquieting When She Was Good (Scholastic, 1997) has an emotionally and mentally deranged sibling and dysfunctional parents wreaked such havoc on a main character who still manages to survive and grow beyond it.-Diane P. Tuccillo, Poudre River Public Library District, CO
Copyright 2013 School Library Journal, LLC Used with permission.
Starred review from September 15, 2013
"Everybody's so full of shit," declares the epigraph of this heart-pounding and heartbreaking novel, setting the tone of the narrative: cynical, disappointed and slyly funny. Gerald "the Crapper" Faust has not yet outlived the notoriety he achieved at age 5 by defecating on the kitchen table during their stint on Network Nanny, a "reality" television show that edited out most of the truth about his dysfunctional family life. Gerald has struggled to manage his anger in the 12 years since with the help of a few compassionate adults at school and work, but at its root, his rage remains unmitigated. In suspenseful flashbacks, Gerald details the damage wrought by his oldest sister, Tasha, a spoiled sociopathic despot. When he meets Hannah, a troubled beauty who sees him as he is instead of as he was, he cannot resist the possibility of genuine connection, despite the dangers. King deftly depicts the angst of first love in all its awkward, confusing glory. Even when she trots out the archetypical road-trip-as-journey-to-self-discovery, King writes with an honesty that allows Hannah and Gerald to call each other on their bullshit and ultimately arrive at an intimacy that feels neither forced nor false. This is no fairy-tale romance, but a compulsively readable portrait of two imperfect teens learning to trust each other and themselves. (Fiction. 14 & up)
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September 15, 2013
Grades 9-12 Seventeen-year-old Gerald became infamous at age five, when he took a dump on his family's kitchen table for the whole reality-TV viewing public to see. A network TV nanny came in to help Gerald be less of a problem child, but the cameras didn't catch what Tasha, his older sister and tormentor, was doing to him and his other sister, Lisi, or his mother's constant defense of her eldest daughter at the expense of her youngest children. And so Gerald continued to rage on. Though years of anger-management training and a boxing-gym regimen have helped him gain better control, his future still feels limited to jail or death. The narrative, though striking and often heartbreaking, is disjointed in places, namely with Gerald's grand plan to run away to the circus. However, this is still a King novel, and the hallmarks of her strong work are there: magical realism, heightened emotion, and the steady, torturous, beautiful transition into self-assured inner peace. Like Gerald, it's wonderfully broken.(Reprinted with permission of Booklist, copyright 2013, American Library Association.)
November 1, 2013
When Gerald was five, TV's Network Nanny (complete with British accent and the naughty chair ) came to his house, along with camera crews, to help solve his behavior problemsapparently he screamed a lot and punched walls. Now nearly seventeen, Gerald bears the emotional scars of having his deeply dysfunctional childhood nationally televisedand worse, edited to make him seem like the troubled one in the family. He became known as the Crapper for defecating on tables and in closets, but we soon learn the reason for his behavior: his oldest sister Tasha, obviously a psychopath, had been trying, early and often, to kill him and their sister Lisi. When Gerald meets Hannah, he discovers he's not the only one with a messed-up family, and the two teens decide to run away together. There's less here of the magical realism for which King is known (Everybody Sees the Ants, rev. 1/12; Ask the Passengers, rev. 1/13), but fans will recognize the author's expert skill at believably portraying a bullied, neglected, angry teen in desperate need of healing and love. As always, King's societal critique is spot-on and scathing, this time examining the dehumanization wrought by reality television on its stars and on its viewers in order to feel better about themselves. Put down the remote and pick up Reality Boyit's a showstopper. jennifer m. brabander
(Copyright 2013 by The Horn Book, Incorporated, Boston. All rights reserved.)
January 1, 2014
When Gerald was five, TV's Network Nanny came to his house to help solve his behavior problems. Now nearly seventeen, Gerald bears the emotional scars of having his deeply dysfunctional childhood nationally televised. When Gerald meets Hannah, he discovers he's not the only one with a messed-up family. As always, King's societal critique is spot-on and scathing.
(Copyright 2014 by The Horn Book, Incorporated, Boston. All rights reserved.)